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Home Theater: The Lighter Side of Swine Flu Print E-mail
Dr. Samuel Says - Arts & Science
Written by Dr. Samuel Centralia, Ph.D., D.D.S., Esq.   
Thursday, 15 October 2009
I’ll tell you one nice thing about the H1N1 virus, it opens up a lot of time for home entertainment. After getting virally stomped last week, I spent an alarming amount of time in the Dyscern World HQ Labs digging into the DVD stack. At one point, I formulated an awesomely complex theory regarding Marxist-feminist subtext in the John Hughes oeuvre. But that was probably the cough suppressant.
Now that we have a decent home theater system in the labs -- Blu-ray player, HDTV, surround sound -- getting sick is almost a pleasure. I had the rhesus monkeys whip up some popcorn, and we were off.

burns.jpgThe monkeys, as per frickin’ usual, insisted on watching a nature documentary, so we went with Ken Burns’ latest: “The National Parks: America’s Best Idea.” If you missed the initial run a few weeks back on PBS, you can now get the complete series in a six-DVD set that may very well impact your holiday travels for a decade or two.

Improbably fascinating, the topic of national parks doesn’t seem to have the epic sweep of previous Burns topics like jazz or baseball, but you will be amazed. The series’ central premise -- that America’s national parks are a distillation of democratic ideals at their finest -- resonates throughout the program’s 12-plus hours of running time. America was the first country to deliberately set aside and protect vast tracts of land for “For the Benefit and Enjoyment of the People” (as reads the famous inscription at Yellowstone’s arched entrance.)

Burns explores his topic with typical thoroughness, using archival photos and film, interviews with historians and academics, and of course some of the most beautiful cinematography you will see on DVD this year. The generous extras -- at least one featurette per disc -- detail the making of the film and add codas such as overviews of the contemporary state of the parks.

Particularly compelling is Disc 2, “The Last Refuge,” which documents President Theodore Roosevelt’s resolute quest to protect America’s natural playgrounds. Allied with a handful of progressive Congressman and famed naturalist John Muir, Roosevelt fought off wave after wave of businessmen and local politicians who, left unchecked, would have trampled wonderlands like the Yosemite and the Grand Canyon for commercial development and profit. (Consider the state of unprotected Niagara Falls to see how that would have worked out.)

All in all, Burns’ ultimate triumph here may be the rather galvanizing effect his film has on the viewer. Crater Lake.Carlsbad Caverns. Joshua Tree. Mesa Verde. The Smoky Mountains. Within the first couple hours, I was almost panicky: “Why am I not spending every free moment at, or making plans to get to, these places?”



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